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A two-day introductory workshop on techniques for recording, designing and editing 3D sound for 360, VR and film. The workshop will provide an overview of the current state of immersive audio technology and give participants the opportunity to try equipment for recording, editing and producing a 360 video or digital film with spatial sound.

Location: FilmCentrum Syd, Monbijougatan 17E in Malmö
Date & Time: Thursday-Friday October 18-19th, between 09:00-16:00
Workshop led by: Tim Bishop (artist and sound designer)
Participation fee: 500 SEK for members of FilmCentrum Syd, 800 SEK for non-members
Sign up: October 11th at the latest to johan@filmcentrumsyd.se
Notice! A maximum of 15 participants at the workshop, and the sign up is binding.
Contact & questions: johan@filmcentrumsyd.se

The workshop will cover binaural and ambisonic sound, microphones for spatial audio workflows, software tools for editing and positioning sound in a 3D environment, and methods for exporting immersive and spatial audio alongside video content.

At the end of the workshop, participants will have an overview of immersive sound for 360 video, VR and film, and will have have learnt about some of the tools available for creating spatial and immersive audio content.

Contents of the workshop (examples):

1. Introduction to full sphere, immersive surround sound
2. Human perception of sound
3. Binaural and ambisonic technologies
4. Recording spatial audio
5. Editing and mixing spatial audio
6. Workflow for working with video
7. Output requirements for different platforms
8. Create a video with spatial audio

The workshop will be in ENGLISH!

Participants do not need to have previous experience of using sound technology to take part.

If possible, participants should bring a pair of headphones and a laptop with the following audio software installed:

- REAPER digital audio workstation (there is a free, fully-functioning demo version available for 60 days)

- The latest VST version of the Facebook 360 Spatial Workstation (free)

Any questions regarding audio software, please contact: tim@timbishopartist.com



Tim Bishop is an English artist, living and working in Sweden. His artistic work focuses around the ways in which two individuals can connect with one another, both in a one-to-one encounter and within a group context. Through his practice he creates personal connections between artwork and audience, and prompts individual and, often, emotional responses through sensory, evocative and highly aesthetic experiences.

Tim's work has been shown in Sweden, Norway, Romania, Russia and the UK, including performances at Lunds konsthall, Arnolfini gallery in Bristol, and Kulturhuset in Stockholm, and screenings at Oslo Screen Festival and Moscow International Film Festival.

Tim is also curator and director of Mono Festival, Sweden's only festival dedicated to one-to-one and person-specific performance.

In addition to his artistic practice, Tim is an accomplished sound designer and recordist in immersive sound techniques. As well as using these techniques heavily in his own work, Tim has also been involved in sound design for several 360 and VR projects, for example, Bombina Bombast's upcoming Kinematografi VR feature film and performance installation, It Could Have Been Me and Alice-in-vr by Kreativitetsbanken (2017) and Escape From Sweden (Dir: Joshka Wessels, 2017).